Saturday, February 23, 2013

New film tells story of unsung civil rights leader

WASHINGTON (AP) ? Just before the March on Washington in 1963, President John F. Kennedy summoned six top civil rights leaders to the White House to talk about his fears that civil rights legislation he was moving through Congress might be undermined if the march turned violent.

Whitney Young Jr. cut through the president's uncertainty with three questions: "President Kennedy, which side are you on? Are you on the side of George Wallace of Alabama? Or are you on the side of justice?"

One of those leaders, John Lewis, later a longtime congressman from Georgia, tells the story of Young's boldness in "The Powerbroker: Whitney Young's Fight for Civil Rights," a documentary airing during Black History Month on the PBS series "Independent Lens" and shown in some community theaters.

In the civil rights struggle, Young was overshadowed by his larger-than-life peer, Martin Luther King Jr. But Young's penetration of white-dominated corporate boardrooms and the Oval Office over three administrations was critical to the movement. Working with leaders within the system, including three presidents, made him a target of criticism by those who wanted a more aggressive path to racial equality.

An appreciation for what Young brought to the movement came after his death in Nigeria in 1971 at age 49. But it was not sustained, said Dennis Dickerson, author of "Militant Mediator: Whitney M. Young Jr."

"He should not be diminished," said Dickerson, a Vanderbilt University history professor who also appears in the film.

A number of schools and facilities have been named for Young. First lady Michelle Obama graduated from a Chicago high school named for him. But his role in economic issues surrounding civil rights has not gotten just due, said Marc Morial, president and CEO of the National Urban League, an organization Young led as executive director from 1961 to 1971. During his tenure the organization greatly expanded.

Young influenced a number of anti-poverty programs such as Job Corps, housing counseling and Head Start, Morial said.

"He was one of the earliest voices who said to corporate America ... that business leaders and the business community had a stake in the development and rebuilding of urban America, but also in the success of civil rights," Morial said.

Born July 31, 1921, in Lincoln Ridge, Ky., Young learned to negotiate with whites from his father, an educated man who ran the all-black Lincoln Institute boarding school, said Bonnie Boswell, the filmmaker and Young's niece.

There, Young's father surreptitiously educated black students to become doctors, lawyers and teachers to escape segregation and poverty while tricking white financial backers of the school into believing he was training the black students to be nannies, maids, janitors and mechanics.

The school campus had been something of a shelter for Young from the everyday cruelty of segregation, but he encountered it head-on when he served in a black Army battalion led by white officers in World War II.

After that experience, Young dedicated himself to race relations. Later he borrowed on the postwar rebuilding of Western Europe to push with President Lyndon B. Johnson his proposal for a domestic Marshall Plan providing $145 billion to improve education, employment and welfare for black communities. Johnson folded some of his ideas into his Great Society programs.

Young overcame the broken relationship between blacks and President Richard M. Nixon to persuade him to heavily support social programs that assisted the poor. Nixon lauded Young's work when he spoke at his funeral.

Young's desire "was to help America live up to her ideals," Boswell said, quoting her uncle.

"He would say, 'I could become more popular if I got off the train in Harlem and shouted bad things about white people, but can I be more effective if I go downtown and help get jobs from white people to give to minorities,'" Boswell said in an interview in Washington with The Associated Press.

Young was able to tell people like industrialist Henry Ford II that they needed to step up and do something about the living and working conditions of blacks in ways that captured their respect, said Nancy Weiss Malkiel, author of the 1989 book "Whitney M. Young Jr. and the Struggle for Civil Rights."

Young was not as visible on the front lines of civil rights protests, but he could say with humor and partly in earnest to members of the white establishment that if they didn't deal with him, they would have to deal with Malcolm X and Stokely Carmichael, who espoused more radical agendas than King, Malkiel said.

Boswell's film airs as the first black president, Barack Obama, begins his second term in office. Obama, whose mother was white and father was black, has endured a racist backlash in his presidency and criticism from within the black community over whether he is doing enough for black Americans.

Dickerson said Young's ideas are a template that Obama has deployed in his own political rise. "That is inter-racialism and an emphasis on corporate relations," he said. "That was Whitney Young's mantra and that's the president's mantra."

___

Online:

PBS Independent Lens: http://www.pbs.org/independentlens/

___

Suzanne Gamboa can be reached on Twitter at http://twitter.com/APsgamboa

Source: http://news.yahoo.com/film-tells-story-unsung-civil-rights-leader-083948361.html

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Northam Platinum H1 headlines EPS falls 30.1 percent

JOHANNESBURG (Reuters) - Northam Platinum, one of South Africa's smaller platinum producers, reported a 30.1 percent fall in first-half headline earnings as finance and tax charges swelled.

Headline earnings per share for the six months to end December were almost a third lower at 36.3 cents from 51.9 cents in the first half of its previous year.

Headline EPS is the key measure of profitability in South Africa and strips out certain one-off and non-trading items.

Production of precious metals in concentrates climbed 6.5 percent to 157,183 ounces and precious metals sales grew 4.4 percent to 177,655 ounces.

Northam managed to escape last year's violent labour unrest unscathed but its future will be impacted by the crisis in the South African platinum sector.

"Against the background of a volatile labour relations climate in the South African mining sector, Northam's results reflect a sustained operational recovery at the company's Zondereinde mine," Northam said.

Threats of a worldwide shortage of platinum group metal (PGM) supplies from South Africa helped to stem the decline in the dollar prices of PGMs.

The weakening of the South African rand against the US dollar also played a hand in improving the rand basket price, which helped push up revenue.

While social and economic uncertainty is expected to dominate the platinum industry's agenda this year the company said it would deliver an improved operational performance compared to the previous year.

Northam did not declare an interim dividend, choosing instead to ensure it has enough cash for the 4 billion rand development of its flagship Booysendal mine.

It also wants to cushion itself against the uncertainty in the South African mining industry.

The company's shares have gained 20.86 percent in the past 12 months, while the JSE's Platinum Index has fallen 13.10 percent.

A massive decline in earnings have been reported across the platinum sector as the larger producers struggle to regain their footing after their operations were brought to their knees by extended illegal strikes late last year.

More than 50 people were killed in labour unrest last year.

Source: http://news.yahoo.com/northam-platinum-h1-headlines-eps-falls-30-1-065418940--finance.html

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Help! Galaxy s3 fubar

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DefaultHelp! Galaxy s3 fubar

I updated CM10 on my AT&T Galaxy S3 to the 4.2.1 version from the 4.1.1 version and it worked fine except I lost all my contacts, so then I found out that I needed to flash Gapps, which I did but then as soon as I booted the phone it wouldn't load and kept telling me all the Gapps stuff has stopped working so then I made it to the settings screen and then reboot into recovery and reflashed the CM10 nightly and now the phone won't boot past the rotating CyanogenMod logo and recovery won't work and nor will download mode. I have no idea what to do and I am going nuts as I need the phone tomorrow. PLEASE HELP.


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Source: http://androidforums.com/t-galaxy-s3-all-things-root/692036-help-galaxy-s3-fubar.html

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Friday, February 22, 2013

Drew Peterson sentenced to 38 years for wife's death

Tom Gianni / AP

In this courtroom sketch, Drew Peterson, left, sits before Will County Judge Edward Burmila as his defense team sought to convince the judge to grant him a new trial at the Will County Courthouse in Joliet, Ill., on Wednesday, Feb. 20. On Thursday, a new trial was denied and Peterson was sentenced for 38 years.

By NBCChicago.com staff

Former Bolingbrook police sergeant Drew Peterson rocked an Illinois courtroom on Thursday when he screamed out his innocence before a judge sentenced him to 38 years in prison for the 2004 drowning death of his third wife, Kathleen Savio.

"I did not kill Kathleen!" the normally cool Peterson shouted into a courtroom microphone from the witness stand.

Without missing a beat, his dead wife's sister, Susan Doman, shouted back, "Yes, you did! You liar!" before the judge ordered sheriff's deputies to remove her from the courtroom.


"I wasn't going to take the devil. I wasn't going to let him say that,"?Doman later told reporters.

In the long statement on his innocence, Peterson blamed Will County State's Attorney James Glasgow for what he described as an obsessive investigation. In tears at times, Peterson told the court he was being sentenced to the Department of Corrections to die.

"I think the only thing left to make this case more true to form would be cruel and unusual punishment," he said. "I don't think anybody would care, because nobody cares. I can't believe I spent 32 years protecting the constitution that allowed this to happen to me."

Also on NBCChicago.com:?Full coverage of the Drew Peterson murder trial

He took issue with a law passed by the Illinois General Assembly in in July 2009 that allowed hearsay to be admitted as evidence in cases where prosecutors believe the victim was killed specifically to prevent them from testifying. The law was dubbed the "Drew Peterson Law."

"Hearsay is a scary thing,"?Peterson told the court. "It requires no proof of truth. Anything can be said and no one is accountable."

He said the statements made against him were from "women trying to better position themselves in a divorce. ... Everybody lies in a divorce."

Still, he said he loved his ex-wife.

"She was a good mom," he said, tearing up. "She did not deserve to die. But she died in an accident."

Glasgow thought little of Peterson's statement but said the emotional outburst exposed the real Drew Peterson -- the one capable of murder.

"We all got an opportunity to see a psychopath," said Glasgow.? "When he got up on the stand and that shrill, kind of feminine screech that he didn't kill Kathy, that's the guy that killed Kathy. You got a glimpse into his soul."

Peterson was found guilty in September of murdering Savio. Her death was initially ruled an accident, after neighbors found the 40-year-old aspiring nurse's body in a dry bathtub at home. It was Stacy Peterson's 2007 disappearance that prompted authorities to take another look at Savio's death and eventually reclassify it as a homicide. Drew Peterson is also a suspect in the disappearance of Stacy Peterson -- who was 23-years-old when she vanished -- but he hasn't been charged in her case.

Thursday's ruling came just a couple hours after Judge Edward Burmila denied a motion by defense attorneys to give the former cop a new trial and essentially means Peterson, 59, will spend the rest of his life in custody. The judge gave Peterson four years' credit for the time he has served since his 2009 arrest.

Illinois does not have a death penalty.

"I pray that during the last minutes of his life, he is able to clearly see her and she is watching his descension into hell,"?Savio's brother, Henry, told the judge.

Peterson's attorneys vowed to wage an appeal.

Also on NBCChicago.com:?Sentencing up next in Jackson family saga

"We all have some very viable issues. We're putting our big boy pants on, we're going to go with these issues, and we're going to be back here. We're confident of that,' said attorney John Heiderscheidt.

In two days of testimony, Peterson's current legal team argued for a new trial alleging the former lead attorney, Joel Brodsky, botched the first trial by calling divorce attorney Harry Smith to the stand.

Smith testified that Peterson's fourth wife, Stacy Peterson, told him her husband killed Savio and that he warned Stacy she had to tell someone. Several jurors said that bombshell testimony led them to convict Peterson.

During the sentencing hearing Savio's sister, Anna Marie Savio-Doman, asked the judge to give her sister "justice, once and for all."

"One of the hardest things for me is knowing the pain and fear that Kathleen must have suffered at the time of her murder,"?Doman said. "The horror and betrayal she must have felt when she realized that someone she had trusted and loved more than anything was actually killing her."

Henry Savio said Peterson terrorized his sister, brutalized her and drowned her.

"I will be mending my family, including my family's relationship with Kitty's children, while he is rotting in jail for the rest of his life,"?he said. "While he is in jail, I hope that Kitty is what he sees every night before he sleeps and I hope that she is haunting him in his dreams."

"He took Kathleen's future and now she has taken his."

NBC Chicago's Kim Vatis, Lauren Jiggetts, Lauren Petty, Courtney Copenhagen, Lisa Balde and BJ Lutz contributed to this reported. Additional reporting by The Associated Press.

This story was originally published on

Source: http://usnews.nbcnews.com/_news/2013/02/21/17045469-drew-peterson-sentenced-to-38-years-for-wifes-death?lite

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Tomodachi Collection For 3DS Scheduled For April Release In Japan

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Source: http://n4g.com/news/1178402/tomodachi-collection-for-3ds-scheduled-for-april-release-in-japan

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Chromebook Pixel hands-on

Chromebook Pixel handson

Taking a small stage in San Francisco's Potrero Hill neighborhood, Google's Sundar Pichai introduced the Chromebook Pixel, the company's attempt to "rethink everything" in terms of laptop design. We can't say that the touchscreen notebook is a stark departure from the category's norm, but it certainly feels like a solid piece of kit. Weighing in at 3.35 pounds, the Chromebook Pixel's unibody frame looks and feels somewhat like a MacBook Pro -- flanking a comfortable chicklet keyboard and a luxuriously large trackpad with a small dip at its south end. The usual bevy of navigation and control keys headline the keyboard, and the machine's left side is populated by a Mini DisplayPort port, a power plug and two USB 2.0 plugs. The right edge houses an SD / MMC card reader and, well nothing else. The Pixel is a minimalist machine, and it both looks and feels good for the subtlety of design.

The machine's real star is its 12-inch, 3:2 display. True to Google's word, the screen is gorgeous, and makes full use of that 2,560 x 1,700 resolution. Photos pop, text is crystal clear and at 400-nits, everything is stunningly bright. At first swipe, it seems to be a capable touchscreen too -- in the few minutes we had with the device, we didn't have any trouble flicking our way through Engadget's news roll, though the traditional trackpad still feels more natural at this stage. Still, everything we did was comfortable, eye-catching and rather quick, thanks, no doubt, to the Pixel's Intel Core-i5 processer. First impressions? Very solid, and possibly the finest Chromebook yet -- but at $1,299 for WiFi and $1,449 for LTE, it had better be. Skip on past the break for a hands-on video and a second hand look at the Pixel's high resolution display.

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Source: http://www.engadget.com/2013/02/21/chromebook-pixel-hands-on/

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Thursday, February 21, 2013

George Heymont: The Odd Couples

Many years ago a friend of mine asked me why, when attending gay film festivals, he didn't see movies about people like himself and his lover. They were a happy couple, aging gracefully, living comfortably in suburbia, and blessed with a circle of loving friends. Why, he wanted to know, was he only seeing films about gay men who were suicidal drug abusers, liars, thieves, and whores?

I tried to explain that playwrights and filmmakers look for dramatic conflict as they try to highlight differences between their characters that might provoke tension and move a story forward. Although he and his lover were perfectly delightful people, compared to what producers and filmmakers were looking for, they were kind of boring. Think for a minute about the kinds of couples we see paired up on stage and screen:

  • Some may be the best of friends (LaVerne & Shirley, Will & Grace) or the oddest of odd couples (Harold and Maude).
  • Others may be partners in crime (Leopold and Loeb, Bonnie and Clyde) or dedicated to solving crimes and bringing criminals to justice (Cagney & Lacey, Scully and Mulder).
  • Some may be partners of a questionable nature (Batman and Robin, Bialystock and Bloom, The Ambiguously Gay Duo).
  • Others may be known for their artistic creations (Gilbert and Sullivan, Rodgers and Hammerstein).
  • Occasionally one encounters a peculiar pair who represent opposite sides of a person's psyche (Dr. Jekyll and Mr. Hyde) or the two witches (Glinda and Elphaba) who are the lead characters in Wicked.


Whether these people are lovers, roommates, blood brothers, soul sisters, buddies taking a road trip, or friendly rivals, there is usually some kind of spark which adds tension to their moments together. Whether the bond between them is parasitic, comedic, sadistic, combative, or synergistic, each partner thrives in the other's presence.


It's easy to look at two friends (or lovers) who share a close rapport and wonder what attracts them to each other. But sometimes opposites not only attract, they can lead to the most unexpected kind of fame. Whenever you find yourself thinking that politics makes for strange bedfellows (James Carville and Mary Matalin), think about the more bizarre relationships that can be seen on stage and on screen.

  • Some are obviously tragic (Romeo and Juliet).
  • Some are comical (Timon and Pumbaa).
  • Some involve a classic case of unrequited love (Clark Kent and Lois Lane).
  • Some are situational (Rosencrantz and Guildenstern).
  • Some simply defy categorization.


When two partners come from the same family, the results can vary widely. Conflict is easy to find in an unhappy marriage (Days of Wine and Roses, American Beauty, The War of the Roses, Who's Afraid of Virginia Woolf?) or in sibling rivalries (Twins, The Sisters Rosenzweig, Seven Brides for Seven Brothers, My Sister Eileen, Rain Man, Big Business). Dramatic conflict may be more difficult to manufacture in certain other situations.

* * * * * * * * * *

Musical theatre fans are abuzz with reports that a new production of 1997's Side Show is in the works. A co-production between the La Jolla Playhouse and the John F. Kennedy Center for the Performing Arts, the show will premiere in La Jolla this fall and travel to the Kennedy Center's Eisenhower Theatre for a limited run in June of 2014. With music by Henry Krieger (Dreamgirls, The Tap Dance Kid, Lucky Duck) and book and lyrics by Bill Russell, Side Show tells the story of Daisy and Violet Hilton, two British-born conjoined twins who, after coming to America, became one of the highest paid acts in vaudeville history.


A new documentary about the Hilton sisters will be of vital interest to fans of Side Show. Bound By Flesh shows how the conjoined twins were abandoned at birth by their mother (an unmarried barmaid named Kate Skinner), who sold the girls to her boss and midwife, Mary Hilton.

Hilton took the girls on tour starting when they were three years old and, for much of their youth, they were the breadwinners in the family. The twins never saw any of the money they earned and were often abused by their step-parents. For a while they lived in San Antonio, Texas

2013-01-25-hiltontwinsposter.jpg
Poster art for the Hilton Twins


Life was not always kind to the Hilton sisters. Although each twin had several love affairs (Daisy gave birth to an illegitimate child who was put up for adoption), most of their lives were spent in carnivals, circuses, freak shows, vaudeville, and burlesque.


Bound by Flesh stresses how rare it was in the early 20th century for conjoined twins to survive for very long after birth (the Hilton sisters died at the age of 60 after Daisy came down with the Hong Kong flu). Filmmaker Leslie Zemeckis has also done a great job of documenting what life along the lost world of the carnie/vaudeville circuit was like.


Of special interest is the interview with Ward Hall, formerly known as the "King of the Sideshow." Perhaps what is most fascinating is the archival footage of Daisy and Violet as they play the saxophone, go for a swim, and crabwalk toward the camera. Here's the trailer:

* * * * * * * * * *


Whereas Daisy and Violet Hilton could not get away from each other, the lead characters in 4000 Miles are, in some ways, the most unlikely of roommates. The 70-year age gap between them is magnified by the differences in their vocabularies, philosophies, physical strength, and size.

Vera Joseph (Susan Blommaert) is a shrunken 91-year-old widow with memory problems who must rely on dentures and a hearing aid. A small, intelligent woman whose body has been twisted by old age, laundry has replaced politics and intellectual discourse as a big part of her life. Although Vera was given a computer by one of her children, no one in the family has made any effort to teach her how to use it.

Back in the day, Vera was an ardent Communist with a passion for progressive politics. One of the last surviving members of a group of octogenarians, she trades daily phone calls with an elderly neighbor across the hall in their Greenwich Village apartment building to make sure they're both still alive. Although their apartment doors are barely 10 feet apart, the two women hardly ever see each other. Ginny can be a real pain in the ass and Vera, as they say, has issues.

2013-01-25-verajoseph.jpg
Susan Blommaert as Vera Joseph in 4000 Miles
Photo by: Kevin Berne


Vera's temporary roommate is her 21-year-old grandson, Leo (Reggie Gowland), who has just finished bicycling across the United States and arrived at 3:00 a.m. without any prior warning. Leo brings with him a bike, a backpack, a rather skewed sense of priorities, and a conscience of curious convenience that allows him to duck certain family and social responsibilities. Not having bathed in a while, he reeks of sweat and dirt but, being a dedicated locavore, won't accept a banana from his grandmother because it wasn't grown locally.

Leo's mother may be a real bitch, but there's a damned good reason she's worried about her son (who, after witnessing his best friend Micah get killed in a freak accident, got back on his bike the following day and continued down the highway). Like many young men Leo is directionless, quite self-centered, and not very skilled at managing his relationships with women. He also has absolutely no compunction about asking his grandmother for $50 so he can go rock climbing at a local gym. Although well intentioned, he can be a bit of a dick.

2013-01-25-leolaptop.jpg
Reggie Gowland is Leo in 4000 Miles (Photo by: Kevin Berne)


While many are hailing Amy Herzog's new play for its bold writing and sharp characterizations, I thought it had the dramatic tension of a terrarium. The most rewarding feature of American Conservatory Theater's production (which marked the play's West Coast premiere) was Erik Flatmo's lovely unit set, which was gently lit by Alexander V. Nichols through a dozen or so scenes which play out like a series of piano ?tudes.

Although 4000 Miles was tenderly directed by Mark Rucker, it's hard to escape the feeling that one is staring at a diorama about life in a rent-controlled apartment. Leo makes up and breaks up with his girlfriend, Rebecca (Julia Lawler). On another night, he brings a Chinese art student (Camille Mana) back to Vera's apartment. While Amanda doesn't hesitate to acknowledge her basic sluttiness, she freaks out when Leo casually mentions that his grandmother used to be a Communist.

2013-01-25-leovera.jpg
Leo (Reggie Gowland) and Vera (Susan Blommaert)
share a hug in 4000 Miles (Photo by: Kevin Berne)


The opening number of Kander & Ebb's 1968 musical, Zorba, stressed that "Life is what you do while you're waiting to die." While Leo is in no particular rush to organize his life, Ginny bites the dust before the play ends and Vera is obviously running out of time.

4000 Miles has the [almost obligatory] scene in which a rootless hipster gets high with his toothless bubbe. But overall, there's a lot less to Herzog's play than meets the ear.


To read more of George Heymont go to My Cultural Landscape

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Follow George Heymont on Twitter: www.twitter.com/geoheymont

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Source: http://www.huffingtonpost.com/george-heymont/the-odd-couples_b_2730230.html

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